Darrell McClure's dailies and Sundays, as well as Nicholas Afonsky's Sundays (1934-1943), contain some of the best art ever seen in comic strips. Though not as harrowing and violent as her rival's strip, Annie Rooney's adventures are just as engaging and enchanting. It's frustrating that, in her own country, no serious attempt has ever been made to collect her adventures. In fact, there hasn't been any attempt at all.
One of the problems might be that people have been spoon-fed nothing but superheroes for decades now. Who wants to read a story in which a little waif lends someone a hand in return for a decent meal when you can read about two superidiots tearing apart a few city blocks while pounding each other into the pavement with a bus. Annie Rooney can't compete with such swell entertainment.
|Annie gets the cover for LE COLLECTIONNEUR DE BANDES DESSINEES #21 (April 1980).|
Perhaps it's not surprising that she isn't given fair treatment in the history books. No one's read an Annie Rooney comic since 1966. They don't remember what made the strip last for almost 40 years.
Publishers in other countries, however, were once keen on bringing Annie's adventures to the people, through weekly magazines containing both European and American strips (sometimes rewritten to appear domestic). Some of these publications were of professional quality, others poorly printed, with off-register colours (if any; Sundays were often reproduced in black and white) and the cheapest newsprint available.
But the efforts were always sincere, and children were provided with a diversion from poverty and war, or something to read in the grass on a sunny day when times were good.
|LA PETITE ANNIE Vol.1 (1984)|
|LA PETITE ANNIE Vol. 2 (1985)|
|La Petite Annie #1 "La Roulotte de la Chance" (1957)|
|La Petite Annie #2 "La Vie d'Artiste" (1957)|
|La Petite Annie #3 "La Maison du Bonheur" (1957)|
|La Petite Annie #4 "L'Aventure du Desert" (1958)|
|La Petite Annie #5 "Le Millionnaire a la Jambe de Bois" (1959)|
|La Petite Annie #6 "La Vengeance de l'homme Noir" (1959)|
|La Petite Annie #7 "La Pension des Mille Malheurs" (1959)|
|La Petite Annie #8 "La Route vers le Sud" (1959)|
|La Petite Annie #9 "Le Plus Beau Bateau du Monde" (1959)|
|La Petite Annie #10 "La Prison aux Barreaux Dores" (1959)|
|La Petite Annie #11 "Une Petite Fille dans la Vitrine" (1960)|
|"Les Plus Belles Histoires de la Petite Annie" (1958), collecting the first four albums of Societe Parisienne d'Edition's 11-volume Annie series.|
|LE JOURNAL DE MICKEY Album #3 (1937), collecting issues 105 to 156. From the 3rd album on, the covers use the same illustration.|
Publication resumed June 1, 1952 with a new JOURNAL DE MICKEY, this time published by Hachette in magazine format. A 4-page test issue appeared earlier, in April. The weekly contained 16 pages, 8 of which were in colour, the others tinted. One page of each issue was devoted to Annie, who was featured until the late 1950s. Hundreds of albums collecting the issues were released. The popular magazine is still entertaining children today.
|LE JOURNAL DE MICKEY Vol.2, #1 (June 1, 1952), published by Hachette.|
|La Petite Annie, from MICKEY #29|
|House ad heralding the arrival of La Petite Annie to the pages of LISETTE. From #19 (May 7, 1933).|
|LISETTE #20 (May 14, 1933). Actually, it's the 618th issue, but the 20th of the year.|
|Annie's debut in LISETTE #20 (May 14, 1933)|
|Annie's "fin" in LISETTE #5 (February 4, 1934)|
|Annie gets the cover in this, the last issue of JOHNNY, LE JOURNAL DE L'AGE D'OR (August 1, 1970). Whoever did the illustration of Annie at the top is best left unknown.|
|Beautiful painted cover for LES NAUFRAGES DE L'ILE ROUGE (1974).|
|page from LES NAUFRAGES DE L'ILE ROUGE (1974)|
|back cover for LES NAUFRAGES DE L'ILE ROUGE (1974)|
|Annie in the middle of the cover of ROBBEDOES Album #16. These Dutch editions had covers identical to those of SPIROU, except for the numbering.|
|STRIP #1 (September 1961), a Dutch family magazine containing some comics. 18 x 25.5 cm, black and white. This issue contains a Kleine Annie story, "De zwervende troubadours" (the travelling minstrels).|
Annie in the July 26, 1963 issue of DIE BRANDWAG, with redrawn art and a little tinting. Whoever placed the Afrikaans text in the word balloons must have been drunk.
Annika and her dog Tipp appeared in the AFTONBLADET newspaper in the Livets lustiga latituder section, the first comics page in Sweden.
Lille Annie Rooney enjoyed a long run in KONG KYLIE, published by Aller Press in Denmark, which came out weekly from December 31, 1948 until its cancellation after September 30, 1955. The title of the magazine took its name from the American strip, The Little King, and Otto Soglow's character appeared along the left side of the covers from the first issue until January 4, 1952. Illustrated covers were replaced by photo covers from December 30, 1949 until January 5, 1951. For half of its run, the magazine contained 16 pages, but the count increased to 32 pages from January 11, 1952, at which point two Annie strips began appearing in each issue. In total, there were over 430 strips used.
KONG KYLIE also featured many other American strips: Hopalong Cassidy (William Boyd); Tom Cooper (Roy Crane); Archie (Bob Montana); Steve Canyon (Milt Caniff); Dickie Dare (Fran Matera, later Coulton Waugh); The Phantom (Lee Falk and Ray Moore); Little Iodine (Jimmy Hatlo); Dick Tracy (Chester Gould); Superman (Siegel and Shuster); and Cynthia (Irv Novick). Herge's Tintin was also present.
|Annie cover for KONG KYLIE #18 (April 1952). The numbering starts over with each new year.|
|Annie cover for KONG KYLIE #17 (April 1954)|
|Annie cover for KONG KYLIE #28 (July 1955)|
La cintura di diamanti ran in L'AUDACE from February 23, 1935 until June 1, 1935 (issue #74), using Nicholas Afonsky's Sunday strips originally published June 6 to September 2, 1934. It was during that period that Ming Foo was introduced, before being spun off into a Sunday strip of his own, also by Walsh and Afonsky. The last episode of La cintura was presented in black and white.
|Annie was named "Annabella" in the pages of the Italian tabloid, L'AUDACE.|
Annie (this time as "Susetta Runi") also graced the pages of I TRE PORCELLINI ("the three little pigs"), an 8-page tabloid published by Mondadori. Susetta Runi first appeared in #49 (February 27, 1936) and continued until #98 (February 4, 1937), a total of 50 issues. #93 was a 16-page issue, double the usual length, but still sold for the same price of 25 centesimi. After issue #98, I TRE PORCELLINI merged with TOPOLINO ("Mickey Mouse") as TOPOLINO, GRANDI AVVENTURE #216 (February 11, 1937), now sporting 16 pages, 8 in colour, 8 in black and white. (Previously, the individual magazines contained 8 pages.) Unfortunately, Susetta wasn't invited to join this new publishing venture.
|LA PICCOLA BETTA (April 1976), published by Comic Art (Italy). Hardcover; 22 x 31.5 cm. The pages aren't numbered, but there's about 260 of 'em. Uses strips from August 31, 1932 to December 30, 1933, and from January 1 to December 31, 1938.|
|Las Peripecias de Annie Rooney (by Nicholas Afonsky), from MICKEY, REVISTA INFANTIL ILUSTRADA, the Spanish edition of LE JOURNAL DE MICKEY.|
|Las Peripecias de Annie Rooney, from MICKEY, REVISTA INFANTIL ILUSTRADA.|
A page of Pikku Anni strips ran from #1 in 1949 until #16 in 1959, a total of 248 issues. (As with most of the European weeklies already mentioned, the numbering started over with each new year.) The magazine continued until #317 in 1963, but ran only two features, printed in black and white.
|Pikku Anni begins a long association with SARJAKUVALEHTI with their first issue in 1949.|
|a Pikku Anni page from SARJAKUVALEHTI|
|SUURI SARJAKUVAKIRJA #2 (1985); published in Finland by Jalava; 151 pgs; black and white. They reprinted 11 pages of Annie's Sunday strips, from October 23, 1949 to January 1, 1950.|
WIOSENKA, a Polish weekly for girls published by Prasa Popularna, featured Ania Sierotka ("Annie the orphan") and other strips including Little Miss Muffet, Betty Boop, Tillie the Toiler, Etta Kett, and Laurel and Hardy. The 8-page tabloid ran from May 30, 1937 to August 27, 1939. It was printed in black and white, with some colour, on cheap paper, and contained little information on the artists and writers and original dates of strips.
|WIOSENKA #1 (May 30, 1937). A few little Annie Rooney heads can be seen in the margins.|
|Ania Sierotka, from WIOSENKA|
In Belgrade, Annie was published under the title Dozivljaji male Ane ("the adventures of little Annie") in PAJA PATAK ("Donald Duck"), beginning with the first issue, released October 2, 1938. The 16-page Serbian-language magazine, which contained some original strips, was cancelled after #24 (January 18, 1939), by which time Ane was long gone.
|Annie in Serbian|
|What's black and white and read all over? POLITIKIN ZABAVNIK #1 (February 28, 1939).|
PIF PAF, a comic published by Editorial Tor, devoted entire issues to single characters -- just about every comic strip that existed at the time. These pirated issues were poorly printed on the cheapest of paper, in black and white, with colour (such as it was) on the covers. PIF-PAF #96 (June 7, 1956) presented a 68-page story, "Llego el Circo", starring Anita y su perrito Cero ("Annie and her dog Zero"), by Darrell McClure.
|Anita and her dog Cero, in "Llego el Circo", from PIF-PAF #96 (June 7, 1956).|
|The quality of the printing in PIF-PAF isn't good, but Darrell McClure's amazing artwork makes up for it.|
|The back cover of PIF-PAF #96. Everyone in this circus -- including Annie -- pushes their own weight.|
(Read more about Annie here)